PhotographyExhibitions

I have always said that if you want to leave your mark, make a book or a building. Both impart a feeling of permanence, a touch of the eternal that…

Printed in 200 numbered copies, the second issue (actually the third) of the fanzine Mire is immediately striking for its handcrafted appearance: a hundred pages printed on thin, rough A5…

When it comes to photographs, we are all deconstructionists now. After thirty years of Derrida, Foucault, and Baudrillard, anyone can confidently (if incorrectly) proclaim that photographs lie, manipulate, oppress; that…

Atlas Monographs is a compression of eight travel journals, beginning with Pam’s most recent work (Karakoram 2006) and shifting back through the decades to his first journals begun in 1970.…

Born in Hong Kong in 1925 to a Chinese mother and English father, Morley spent much of the war in a Japanese internment camp, before being repatriated to England.…

The project brings together the Concept/Art/Confession Group’s most progressive artworks created by Alexey Shlyk and Maksim Makarevich from the last few years. These artists are two of the numerous artists…

Marlous van der Sloot (1986) works on the border of applied photography and contemporary art, in which she focus on the immaterial world. The world of feelings and emotions. It…

Born in Birmingham in 1963, Gillian Wearing moved to London in 1983 to study art at the Chelsea School of Art and Goldsmiths College. A small artist-run gallery called City…

Erik Hildebrandt is one of the great specialists of aeronautic photography. For his most recent book, Fly Navy: Celebrating the First Century of Naval Aviation, he spent the past…

Liu Bolin’s ability to make himself invisible is, paradox aside, the most remarkable aspect of the Moscow photo biennial. Although a few exhibitions have yet to open, his exhibition at…