Paris Mutuel Urbain is an old company, essentially a working-class brand, but whose image was perhaps a little outdated. The aim was to assert ourselves through our involvement with a…
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Founded in 1970, the Rencontres d’Arles has stood the test of time. Like every festival, the Rencontres is part of a time and place, and organizes not only exhibitions, but…
The partnership with the Rencontres d’Arles, which goes back seven years, is emblematic of Olympus’s involvement with institutions like the Jeu de Paume and the Fondation Cartier-Bresson. It is based…
The festival La Gacilly is based on the “crazy wager” to put an entire village with a population of 2400 people “on stage” for four months. This has been going…
The festival Vendôme is ten years old and open to all artists, styles and visitors. It has no specific theme and opens a portion of its program to the public.…
A company like Fujifilm receives many offers for sponsoring, so its choices are based on the spirit of the proposals, whether it’s the “the ethical and humanist” aspect of La…
Brittany is a land of images. The idea of this young festival was to test the possibilities of access to new resources for photojournalism, which is experiencing a structural problem…
The Prix HSBC was founded 18 years ago by Chantal Nedjib. Every year it offers more than a simple grant, but also comprehensive support for two young emerging photographers over…
The Prix Henri Cartier-Bresson was created by Robert Delpire in 1989, and is part of the foundation’s activities to promote the work of Henri Cartier-Bresson and, now, Martine Franck. The…