After twelve years among the diaspora in Portugal, I visited Luanda, my home town. My work questions the sustainability of the world in which we live, paying special attention to the Angolan policies of exploitation of the natural richness of its soil, especially oil and diamonds. I developed a series of pictures between the documentary and the figure of the flâneur or wanderer, in an indefinite world, between falsehood and reality, establishing a close and forceful vision around my memories and the present which is in front of me.
This article is reserved for subscribed members only. If you are already a member, you can log in here below.
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for $5 or annually for $50 (2 months offered).