Léa Haubourdin and Thibault Brunet’s Les Immobiles sounds like a proposition in the most generous sense of the term. First, through a desire to leave behind the overused paradigms of today,…
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Sam Stourdzé was happy during his five-year tenure as director of the Musée de l’Elysée. In fact, he says, he never would have left that idyllic setting were it not for…
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Philippe Guionie is a member of the MYOP agency. Since 2004, between commissions and his personal work, the photographer has traveled to various destinations near the Black Sea. Each journey proves…
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Fanny Lambert is one of the writer of L'Oeil de la Photographie. She kept her Paris Photo's diary. We are presenting it here.…
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Marc Lathuillère’s France is like the portraits of the French men and women he took during his travels across the country: fixed, rigid, impersonal, proper, like the masks he asks…
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The story of the gallery is both simple and complicated. It belongs to Stéphane Magnan, a businessman, who hired me to create a gallery that would be both an economic…
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You’re a young gallery. Can you tell us how this adventure began for you three? Sophie Escougnou: We opened a little over a year ago in July 2013. I had been working…
Today we’ll be dealing with sharing, association, groups and identity. We’ll skip the memories, commemorations, typologies and academicisms of all kinds. Here and there at this year’s Rencontres d’Arles, people…
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"It was my husband, Alain Paviot, who opened the gallery forty years ago. At the time, the gallery was on the Rue du 29 Juillet in Paris, and I think…
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« We opened the gallery 20 years ago. That was in 1993. I’d just finished studying photography and a friend and I decided to open a studio for printing and…
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