Alison McCauley is always looking for surprising angles. In every space and situation, she is on alert. It is not by chance that she came to Cannes for the first time during its annual festival. Straightaway, she was fascinated by such an organization. Addicted, she came back for five years to track the irony of what was happening on the...
This article is reserved for subscribed members only. If you are already a member, you can log in here below.
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for $5 or annually for $50 (2 months offered).