For the fourth edition of the Prix HSBC pour la Photographie (then known at the Prix de la Fondation CCF pour la photographie), Alain Mingam former photo editor-in-chief of Sygma, Gamma and Figaro, served as the art advisor. Two women won the prize that year, Catherine Gfeller and Yoshiko Murakami, Swiss and Japanese, retrospectively. Today, for the latest installment in the series, we spoke with Yoshiko Murakami about her experience with the prize, which she was awarded for her incredible black-and-white series Les mains pour voir. Murakami takes the viewer into a closed-off world where sight no longer exists.
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