The process of working on still life compositions is very exciting, but, even if you have imagined the final version in your mind many times, and what is left is just to quickly put it together and click, you still continue to change the composition, adjusting its elements. You are moving around, moving everything around—the objects, the backgrounds, the lights....
This article is reserved for subscribed members only. If you are already a member, you can log in here below.
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for $5 or annually for $50 (2 months offered).
