Olivier Denis : A Hymn to Life
Contemporary photography often leaves little room for empathy, but few capture the human soul with as much sensitivity and depth as Olivier Denis. Renowned for his intimate and authentic approach, he presents a moving series of portraits dedicated to women battling breast cancer. “Women in Turmoil” is a collection of poignant shots that testify not only to the resilience and courage of these women but also to their intrinsic beauty, transcendent beyond illness.
Through his lens, Olivier Denis does more than freeze moments; he tells stories of struggle, hope, and rebirth. His series, imbued with respect and empathy, offers a fresh perspective on illness—far from clichés and stereotypes—showcasing the strength and dignity of those affected.
In this interview, the photographer shares the inspirations behind his work, his artistic influences, and the defining moments of his career. His work, where every photo is a declaration of love for humanity and life, is a testament to his passion and compassion.
Website : www.olivierdenis.book.fr
Instagram : olivier_denis_photographe
Your first photographic spark?
Olivier Denis: My first serious spark for photography came around the age of 17 when I wanted to immortalize my girlfriend at the time. Initially, I wanted to draw her because I enjoyed drawing back then. She had a camera that belonged to her mother, and there was a roll of film in it. I started taking photos of her naked on her bed. When I got the film developed, I had a sort of revelation and knew that this was what I wanted to do.
The image-maker who inspired you?
O.D. : I have several: Jean-Loup Sieff, Bettina Rheims, Sebastiano Salgado, Helmut Newton, and Ralph Gibson. All five have influenced my way of photographing. So, when people sometimes tell me that my images remind them of these great photographers, I am very proud.
The image you wish you had taken?
O.D. : There are many, and they are often images centered around humans.
The one that moved you the most?
O.D. : Many images by Salgado and Sieff have moved me. But if I had to choose one, it would be the portrait of Simone Veil taken by Jean-Loup Sieff.
And the one that made you angry?
O.D. : All the images from the Rwanda war.
Which photo do you think changed the world?
O.D. : I’m not sure if it really changed the world, but I would mention the image taken by Sebastiano Salgado during the attack on President Reagan.
And which photo changed your world?
O.D. : The photo of a person jumping over a puddle in front of the Saint-Lazare station taken by Henri Cartier Bresson. It made me understand that everything happens in a fraction of a second, so it’s necessary to gather all the parameters and capture them in that instant.
What interests you the most in an image?
O.D. : In an image I create, it’s capturing who the person in front of me truly is.
What is the last photo you took?
O.D. : It won’t be the last when this article is published, but at this moment, it’s a simple portrait of two of my children in the Parc Astérix.
A key image in your personal pantheon?
O.D.: “Bronze de chair,” an image I created.
A photographic memory from your childhood?
O.D. : An image taken by my father of my sister and me during a picnic in the Fontainebleau Forest when I was about 7 years old.
What makes a good photo in your opinion?
O.D. : It’s an image that evokes emotion in those who view it.
Who would you like to photograph?
O.D. : There are several. For example, Simone Veil and, in a very different register, Johnny Hallyday.
An indispensable photo book?
O.D. : “Demain le temps sera pluvieux” by Jean-Loup Sieff.
The camera from your childhood?
O.D. : A Kodak Instamatic given to me by my grandparents that took square photos.
The one you use today?
O.D. : I use many, including the Hasselblad 503 CW, the Leica R9, and for the past two years, vintage and popular cameras like the Pentax ME Super.
Your favorite addiction?
O.D. : Photography. It’s a vital need for me.
By whom would you like to be photographed or would have liked to be photographed?
O.D. : Henri Cartier Bresson.
Your latest extravagance?
O.D. : Spending money on film and paper while having debts with taxes! Some photographic projects can put you in danger!
An image for a new banknote?
O.D. : The image of a woman with a bald head, battling cancer.
Color or black and white?
O.D. : Only black and white.
Daylight or studio light?
O.D. : I love daylight, but I work in a studio.
Which city do you think is the most photogenic?
O.D. : Luxor in Egypt.
If God existed, would you ask him to pose for you or opt for a selfie with him?
O.D. : I am a non-believer. So, since no one has ever seen him, I would be delighted to photograph him to prove he exists.
In terms of social networks, are you more Instagram, Facebook, TikTok, or Twitter, and why?
O.D. : I’m not very good with social networks, but I am active on Instagram.
If I could organize your ideal dinner, who would be at the table?
O.D. : It would be a rather eclectic dinner. There could be politicians, singers, actors, artists, other photographers, but also my garbage collector, who is an authentic and incredible person even with a simple life.
In your opinion, what is missing in today’s world?
O.D. : Empathy.
If you had to start over?
O.D. : I would dare more because it took me too long to gain confidence in myself.
A final word?
O.D. : Show love to the people you meet and be kind.
