For its 2020 outing, the Biennale für aktuelle Fotografie (Biennale for Current Photography) is curated by David Campany around a set of thematically distinct […]…
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I Will Greet the Sun Again, a retrospective of the work of Shirin Neshat, was exhibited at The Broad in Los Angeles. The book […]…
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For people who cleave to chauvinist/xenophobic/white supremacist notions of identity, whiteness is taken literally: an instantly recognisable marker for racial or chromatic aspects of […]…
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By Sean Sheehan Markéta Luskačová went to the seaside, on the north-east coast of England, in 1976 and ‘77 to visit a friend. Returning […]…
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The introduction to This Place – a large format photobook (32.00 x 30.00 cm) with the works of twelve contemporary photographers – states how […]…
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Any genealogy of the idioms of pre-digital photography needs to acknowledge characteristics of Saul Leiter’s work that went entirely un-noted at the time. He […]…
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It is now a truism to point out that digital realm gives scope for changing the ‘reality’ of an image in ways that were […]…
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J.G. Ballard, arch-connoisseur of shifting ontologies, remarked more than once how he came to see reality as ‘a stage set … that could be […]…
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Daniëlle van Zadelhoff, born in Holland but now living in Belgium, started taking photographs six years ago and her aesthetic is distinctive and personal. […]…
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Brecht’s enforced journeying during the years of Nazi rule go some way in explaining the context and the form of War Primer. After the […]…
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