Paul Solberg began experimenting with the Polaroid SX-70 camera and film process in 2009, testing temperature extremes and the response of various films. Freezing film, heating film, searching for a particular characteristic he didn’t know until he saw it. A year later, during “Fleet Week”, when the military annually sails into the Hudson River to visit Manhattan over the extended Memorial Day weekend, he discovered a particular film stock the same day the military and sailors arrived in May 2010. The fragility of this particular damaged film, while manipulating the tone by manipulating the film’s climate, was the narrative solution Solberg was seeking. He got on his bike and threaded through the streets of Manhattan- mainly Time Square- to seek out any service person walking past a clean white building façade, a challenge in the dense walls of electricity. As the first portraits and conversations were experienced, the project was obvious and immediate. It was four 20 hour days until the film ran out.
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