Since my 2009 project, The Point of View, I have been looking at various aspects of the viewing process and, consequently, decision making in photography, in terms of the perspective and, even more so, the framing. I’ve also been examining the consequences these processes have on the way we perceive specific places by showing them each in multiple, but very similar views.
In the Orbit of El Teide now focuses on the question of what can be seen, or how much information can be gathered, from only one single point of view, versus the information, visual or abstract, one could gather by orbiting an object, question or focus point. In this way, two different points of views of the same subject matter could differ in their look or feel tremendously and might not even be recognized as the same subject matter anymore.
Like pieces in a puzzle, every image from In the Orbit of El Teide holds different visual aspects of the same subject, in this case the mountain El Teide. But other than a piece in a puzzle, each image appears to strongly stand on its own. And it is only through looking at these images one-by-one that one realizes how much more information, visual aspects, perspectives or stories-to-be-told there are to just one single mountain—or to any subject matter, basically.
Meike Nixdorf, 2011 FotoVisura Grant Finalist
