Since March 2015, the director of the Musée de l’Elysée in Lausanne, Switzerland, Tatyana Franck said upon her arrival that she would showcase the collections of her institution. It’s a diverse fund, without a precise identity, but which holds significant historical sets. Duly noted: Tatyana Franck’s first exhibition as curator draws on the museum’s reserves, in particular from the section holding its oldest pieces. However, she does not line them on the walls as trophies. “The Memory of the Future” instigates a dialogue between the first photographic methods and the artists of today who pull from the same archaic techniques.
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