When, in the middle of the Libyan revolution, the exodus of foreign workers toward Tunisia turned into a nightmare, images of the masses seeking escape filled the front pages of newspapers and television screens worldwide. However, we saw and knew very little of these people who eventually became yet another collection of images of refugees, like all the others. Deciding to focus his gaze on the packages, wrapped in plastic, that the fugitives carried with them and attempted to keep safe, the photographer imbues them with a singular force: stuck on each of the bundles is their owner’s ID photograph....
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