Since I was five years old, I have been photographically curious about the people, places and events in my life. As I became older, […]…
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This serie of photographies is about the city of Brest debuted in a workshop at the Centre Atlantique de la Photographie in April 2015 […]…
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It is often said that eyes are windows to the soul. When we think of windows, we usually look through the window at the […]…
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Traveling to unusual places and destinations off the beaten path has always intrigued me. The general perception of North Korea is of a forbidden […]…
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Along the whole Italian alpine arch tens of old paths were used in the past to cross the border illegally. Goods and people have […]…
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Certaines rencontres se font naturellement, comme celles que j’ai faites de ces hommes égyptiens. J’ai pu, en nouant ces relations, découvrir, de cette culture, […]…
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Taken from 2000 to 2004, years after Mogutin’s exile from Russia, these candid portraits document the new generation of the country in a grip of unprecedented political and economic corruption…
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The inspiration behind the series Dulce y Salada by the Colombian photographer Jorge Panchoaga came from his flight over the Andes in 2011. Nested between two mountain ranges, a multitude…
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Too great the fascination, too dangerous the temptation. I even felt I needed to look for excuses to accept the proposal. In Venice, a small place, limited in extent: perhaps…
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Every weekend, The Eye of Photography dedicates itself to the portfolios of its readers. By publishing the best portfolios, the magazine enables photographers around the world […]…
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for 8 euros (€) or annually for 79 euros (€) (2 months offered).
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