As the saying goes, life is a struggle. And the twenty-first century has indeed fallen victim to humanity’s overexploitation of the environment. Despite the risk of creating a terrible imbalance,…
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My photos show children from the Malian town of Sikasso playing roles from traditional tales. They portray animals, moving through a fantasy world that is nevertheless an integral part of…
These lemons represent people caught in the stranglehold of dictatorship and war. At first, this lemon population was harshly repressed for having demanded the rule of law, peace, freedom and…
Fashion 2112 raises questions about criteria of beauty. What will “attractiveness” look like in the future? Once the predicted disappearance of certain commodities in our consumerist world actually occurs, what…
My work navigates the ties, which bind subjects in a cosmopolitan family unit. The invisible thread, which joins the people in the photo together. The metaphysical space, that attracts and…
This is the story of a road known as Route GP1. It runs along the coast from Tunis to the Libyan border, its asphalt strip following the ancient Roman roads…
Bamako is hot. Very hot. 70° mornings seem almost cool compared to the scorching 95° days. All the more so because the sandstorms, light though they may be, pollute the…
The hegemonic cultural power of modern-day capitalism comes through as a major theme in our early work. Halaal Art as a body of work deals with the role and place…
Christian Caujolle : How does the Managing Director operate at the Rencontres of Bamako? Samuel Sidibé : The General Manager is in many ways the General Director of the Biennale. He…
This video is a series of photographs shot in continuous mode and edited later on, before adding conceptual sound. We are here but not here. Where things are not in…