Atget was not ‘aesthetic’. With the marvelous lens of dream and surprise, he ‘saw’ (that is to say, photographed)… with the vision of a […]…
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… I forgot about wild laughter, phone calls made for no real reason, handwritten letters, family meals (well, some of them), meals with friends, […]…
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Grey skies of crystal. A bizarre design of bridges, now straight, now curved, and others descending in oblique angles to meet the former, and […]…
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‘What are those people doing?’ she asked. ‘They’re going to the flea market’, said the chap, ‘or rather that’s the flea market that’s going […]…
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I noticed the Café Dante was straight ahead. A kid hawking papers: ONE DOESN’T BECOME ONE IS. I knew where I was. Just beyond […]…
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(I was looking at everything in the other’s face, the other’s body, coldly: lashes, toenail, thin eyebrows, thin lips, the luster of the eyes, […]…
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I LOVE MY DIABETES an autobiography of care 20 years that I try to photograph this subject. I never even managed to start. 20 […]…
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During my career as a photographer, then a television journalist, I have never parted with my camera. For more than forty-five years, it was […]…
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Mother’s Day 2020 I was fascinated with the experience of pregnancy and wanted to record my own physical state. Later I continued photographing pregnant […]…
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Ten years after the exhibition held in Madrid, A Hard and Merciless Light, and a year after the exhibition at the Pompidou Photography Center, […]…
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for 8 euros (€) or annually for 79 euros (€) (2 months offered).
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