Gene Pelham (American, 1909-2004) rnPhotograph for Day in the Life of a Little Girl, 1952rnStudy for The Saturday Evening Post, August 30, 1952rn11 u00bc x 9 7/16 in.rnNorman Rockwell Museum Archival CollectionsrnNorman Rockwell Licensing, Niles, Illinois
Gene Pelham (American, 1909-2004)rnPhotograph for Girl at Mirror, 1954rnStudy for The Saturday Evening Post, March 6, 1954rn11 1/4 x 8 7/8 in.rnNorman Rockwell Museum Archival CollectionsrnNorman Rockwell Licensing, Niles, Illinois
Gene Pelham (American, 1909-2004)rnPhotograph for Going and Coming, 1947rnStudy for The Saturday Evening Post, August 30, 1947rn11 1/4 x 15 5/8 in.rnNorman Rockwell Museum Archival CollectionsrnNorman Rockwell Licensing, Niles, Illinois
Gene Pelham (American, 1909-2004)rnPhotograph for Shuffleton's Barbershop, 1950rnStudy for The Saturday Evening Post, April 29, 1950rn11 5/16 x 7 15/16 in. rnNorman Rockwell Museum Archival CollectionsrnNorman Rockwell Licensing, Niles, Illinois
Louie Lamone (1918-2007)rnPhotographs for New Kids in the Neighborhood, 1967rnStudy for Look, May 16, 1967rnNorman Rockwell Museum Archival CollectionsrnNorman Rockwell Licensing, Niles, Illinois
Norman Rockwell (American, 1894-1978)rnNew Kids in the Neighborhood, 1967rnTear sheet, Look, May 16, 1967rn13 x 20 u00bd in.rnNorman Rockwell Museum Archival CollectionsrnNorman Rockwell Licensing, Niles, Illinois
Gene Pelham (American, 1909-2004) rnPhotograph for Soda Jerk, 1953rnStudy for The Saturday Evening Post, August 22, 1953rn9 u00bd x 7 9/16 in.rnNorman Rockwell Museum Archival CollectionsrnNorman Rockwell Licensing, Niles, Illinois
Gene Pelham (American, 1909-2004) rnPhotograph for Soda Jerk, 1953rnStudy for The Saturday Evening Post, August 22, 1953rn11 u00bc x 8 5/8 in.rnNorman Rockwell Museum Archival CollectionsrnNorman Rockwell Licensing, Niles, Illinois
Louis Lamone (American, 1918-2007)rnBill Scovill and Norman Rockwell, circa 1962rn11 u00bc x 8 u00bc in.rnNorman Rockwell Museum Archival CollectionsrnNorman Rockwell Licensing, Niles, Illinois
Gene Pelham (American, 1909-2004)rnPhotograph for The Tattoo Artist, 1944rnStudy for The Saturday Evening Post, March 4, 1944rn11 u00bc x 8 u00be in.rnNorman Rockwell Museum Archival CollectionsrnNorman Rockwell Licensing, Niles, Illinois
Gene Pelham (American, 1909-2004)rnPhotograph for The Bartender's Birthday, 1941rnStudy for American Magazine, February, 1941rnNorman Rockwell Museum Archival CollectionsrnNorman Rockwell Licensing, Niles, Illinois
Gene Pelham (American, 1909-2004) rnPhotograph for The Dugout, 1948rnStudy for The Saturday Evening Post, September 4, 1948rnNorman Rockwell Art Collection TrustrnLicensed by Norman Rockwell Licensing, Niles, Illinois
Z1_Pan American Was My Magic Carpet around the World.jpgrnBill Scovill (1915-1996)rnPhotograph for Norman Rockwell Says u201cPan American Was My Magic Carpet around the World,u201d 1956rnAdvertisement for Pan American Airways, 1956rn11 u00bc x 9 3/8 in.rnNorman Rockwell Museum Archival CollectionsrnNorman Rockwell Licensing, Niles, Illinois
Louie Lamone (American, 1918-2007) and Norman Rockwell (American, 1894-1978)rnLouie Lamone, 1968rn11 u00bc x 8 in.rnNorman Rockwell Museum Archival CollectionsrnNorman Rockwell Licensing, Niles, Illinois
Gene Pelham (American, 1909-2004) and Norman Rockwell (American, 1894-1978)rnGene Pelham, 1945rn11 u00bc x 8 u00bc in.rnNorman Rockwell Museum Archival Collections rnNorman Rockwell Licensing, Niles, Illinois
Gene Pelham (American, 1909-2004)rnPhotograph for The Tattoo Artist, 1944rnStudy for The Saturday Evening Post, March 4, 1944rn11 u00bc x 8 in.rnNorman Rockwell Museum Archival CollectionsrnNorman Rockwell Licensing, Niles, Illinois
Beginning in the late 1930s, Norman Rockwell adopted photography as a tool to bring his illustration ideas to life in studio sessions. Working as a director, Rockwell carefully staged his photographs, selecting props and locations, choosing his models, and orchestrating every last detail. He created an abundance of photographs for each new subject, sometimes capturing complete compositions and other times combining separate pictures of individual elements. These photographs were the focus of a recently completed two-year project at the Norman Rockwell Museum, which preserved and digitized almost 20,000 negatives. For the first time, Norman Rockwell: Behind the Camera presents these study photographs alongside his paintings, drawings, and related tear sheets to offer a fascinating look at the artist’s process.
Until April 10, 2011 Brooklyn Museum Robert E. Blum Gallery, 1st Floor 200 Eastern Parkway Brooklyn, NY 11238-6052
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