A year ago I had a growing migraine attack while lying in bed on a Saturday morning. Migraines are new to me so I was surprised to sense tingling spreading across my limbs. I suddenly felt something pop in my head and pulse through me. Right then paralysis took me over like a wave would. I couldn’t move, couldn’t even open my eyes, couldn’t call for help. My mind was fully on but my body was no longer responding to its command. I was locked-in. It only lasted a short while but it was the most terrifying event of my life so far.
Beyond my very personal connection to this body of work, I have always been drawn to contrasting juxtapositions. And I’m mostly interested in a growing realisation that oppositions and contradictions are not always necessarily mutually exclusive as logic would dictate – for instance an ugly incident can also have some beauty to it. Reflecting on having been locked-in, I was fascinated by the idea that I had felt very much in motion qua brain while totally paralysed physically. I set out to highlight those two opposite States of Being happening concurrently by representing visually the different stages of my incident combining multiple exposures digitally. The use of long exposure times in particular allowed me to convey movement, depicting the agitation of my spirit. I believe digital impressions would have been too sharp and crisp for the subject matter and I therefore chose to hand print the series as Van Dyke Browns. This antique alternative process gives the final prints a certain softness, fitting with my experience, which adds to the slightly surreal feel of the work. This in turn also acts as an allegory for the complex and obscure link between our body and our mind – a connection we rarely truly deeply contemplate, except maybe on the days when it stops working properly.