In the project La Madre, photographer and filmmaker Petra Noordkamp (1967) shows her most recent, not previously exhibited work. The impetus for La Madre was Noordkamp’s short relationship in the mid-1990s with Emilio Quaroni, son of the well-known Italian architect and urban planner Ludovico Quaroni. After her contact with Emilio deteriorated, Noordkamp discovered in 2001 that Emilio had murdered his own mother in the same year. The violent story of Emilio and the matricide stayed with Noordkamp – for years she thought about doing something with it. The form of the project remained vague for a long time, until two paths unexpectedly converged. In 2009, Noordkamp visited Sicily for her photo project Cinecittà , and there she encountered the modernistic La Chiesa Madre. This extraordinary, white spherical church turned out to be a design by none other than Ludovico Quaroni, Emilio’s father.
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