The exhibition at the Beirut Exhibition Center through Aprils 19th features the work of several contemporary visual artists working in photography and video. The pieces all belong to private collections. The paper airplanes of the children of Tangiers appear alongside the work of Akram Zaatari, where Israeli war machines streak the Lebanese sky. A few steps away: a Parisian scene re-painted by Elger Esser, Ali Cherry’s sandstorm revealing a statue of Saddam Hussein, Hiroshi Sugimoto looking contemplative, and Wolfgang Tillmans playing with ink and liquid. A common thread among them is their shared history, the color of sand, and a blurry appearance.
This article is reserved for subscribed members only. If you are already a member, you can log in here below.
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for 8 euros (€) or annually for 79 euros (€) (2 months offered).