In these still lifes, food interprets itself until it lives its own life. In a hyperbole of polychrome juxtspositions, composition becomes a dismantled pop that creates an own code of communication. Fragmented food brings with itself many points of view, it’s a collage, an assembly of fragments inside of photography itself, it’s a sort of visual vortex, a creation of simultaneous bites, the expression of the speed of action, which is typical related to our time.
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