Distorting, filtering, staging the city in its reflections and passersby, the Richter installation in Paris, introduced a polysemic situation and a set of transparent mirrors a situation that holds the eye. Where a situation that leads to a creation, installation has become a matrix, a machine for producing images. Pascal Therme
This article is reserved for subscribed members only. If you are already a member, you can log in here below.
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for 8 euros (€) or annually for 79 euros (€) (2 months offered).
