I really wanted to be a painter. I really wanted to be a rock star. Ultimately, I became neither of these things – and both. I take photographs. Mostly of musicians. It’s a pretty good life, for the most part. Assuming you don’t have any qualms about setting up cameras in a graveyard at midnight. Or being surrounded by 300 angry scorpions that don’t want to be in a studio. Or trying to keep a singer’s energy level up when she’s just come off a seven-month world tour with the worst case of dysentery in recorded history. All in a day’s work.
Scarpati, whose images span four waves of modern music and have become some of the most enduring iconics of metal, rock and punk, was raised in New Jersey, came of age in San Diego, gained notoriety in Los Angeles, now calls the world his home and Nashville his return address.
This article is reserved for subscribed members only. If you are already a member, you can log in here below.
Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for 8 euros (€) or annually for 79 euros (€) (2 months offered).