The strong commitments characterizing the links between Fnac and photography – works and artists – have marked French society for decades. From 1966 on, after allowing amateurs to pick up a camera, Fnac transformed its stores into exhibition galleries, further strengthening the democratization of photography.
To testify to this very special relationship between Fnac and photography, a 300-page book “Regards. A century of photography, from Brassaï to Martin Parr. Masterpieces from the Fnac collection” published by Gallimard, which highlights 250 images by Berenice Abbott, Robert Capa, Henry Clarke, Philippe Halsman, André Kertész, William Klein, Inge Morath, Man Ray… under the direction of Quentin Bajac.
