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Author Jonas Cuénin

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Vivian Maier: Self-Portraits

Having seen plenty of her photographs in recent years, we might have gotten used to the idea that Vivian Maier was a classic street photographer, even though her style is…

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The Diary of Jonas Cuénin

If you’ve always wanted to witness a stampede, Paris Photo 2013 was a fine opportunity to do so: it felt more like a cattle fair than art fair.…

Camera #4 en kiosques

Available in newsstands and book stores this week , the 4th issue of the review Camera invites us  to revive our imagination by freeing us from photographic modes. Willingness that…

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Romeo Martinez à l’honneur à Venise

“Camera” magazine, published since the early 1920s in Switzerland, became an international point of reference for photography during the 1950s and 1960s, thanks to the work of Romeo Martinez (1911-1990),…

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Arles 2013: Diary of Jonas Cuénin

The 44th Rencontres began with a Monday evening screening at the Théâtre Antique of a short from Patrick Zachmann on Sergio Larrain. Filmed in Chile in 1999, the film, although…

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Arles 2013: Sugimoto by Jonas Cuénin

Hiroshi Sugimoto only sees the world in large format. From a distance, behind the huge panes of his studio, the buildings made of glass, symbols of an ultramodern and denatured…

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Saul Leiter: –Here’s more, why not

This pocket-sized book of photographs, published by Fifty One Fine Art Photography to accompany its Saul Leiter exhibition (on display through July 13), is the perfect summer companion. Here’s more,…

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Sandi Haber Fifield: –After the Threshold

Suggestion is one of photography’s greatest powers, something that American photographer Sandi Haber Fifield obviously understands. In her latest book, her third, After the Threshold, Fifield takes the reader into…

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