Palazzo Arese Borromeo presents the exhibition Ladri di biciclette – Photographs of Neorealism in Italy’s Rebirth, This exhibition takes visitors on a journey through 88 iconic photographs by 35 photographers, with images sourced from private collections and archives. offering a glimpse into an era when the bicycle was a vital part of daily life.
Among the highlights is the Guido Bertero Collection from Turin, the most significant collection of Neorealist photography in Italy, contributing 31 vintage prints. Another remarkable story comes from the Rudi Bianchi Collection in Los Angeles — which tragically lost most of its photographs during the devastating wildfires that struck L.A. last January, yet managed to lend one surviving piece from its Milan branch.
The exhibition echoes the emotions of Vittorio De Sica’s legendary film “Ladri di biciclette” and the heroic feats of Fausto Coppi and Gino Bartali, figures who defined an era. Although Italy has changed since the post-war years, the passion for cycling remains strong, as seen in the millions who follow the Giro d’Italia each year.
Cultural Councilor Martina Morazzi: “The bicycle has played many roles throughout history—transport, mobile workshop, even a musical instrument as we will see in a special performance on May 4 inspired by Frank Zappa.”
Curator Enrica Viganò: “In 1948, Ladri di biciclette hit theaters. A year later, Fausto Coppi became a national hero after winning the Giro d’Italia. In that era of post-war reconstruction, the bicycle was a symbol of resilience and progress.”
Curated by Enrica Viganò and organized by ADMIRA, the event coincides with the 18th stage of the 108th Giro d’Italia, which will pass through Cesano Maderno on May 29.
Ladri di biciclette – Photographs of Neorealism in Italy’s Rebirth
March 15 – June2, 2025
Palazzo Arese Borromeo
Via Borromeo 41
Cesano Maderno (MB), Italy
https://www.comune.cesano-maderno.mb.it/