A Space Between Worlds by Sean Sheehan A sense of belonging is one of those vital human anchors usually taken as a given. It […]…
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Indecisive Moments The bigger picture may be one of the extraordinarily contingent –the pandemic presently being endured is a punishing reminder of this – […]…
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Observing that the internet envelops our lives is such a commonplace that it’s boring to have it repeated. Yet for something so omnipresent, relatively […]…
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Village People is a set of photographs taken in the western half of Czechoslovakia between 1965 and the end of Communist rule in 1990. […]…
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Looking at Morocco The book title of John Cohen’s photographs taken in Morocco in 1955, Look Up To The Moon, might suggest a wistfulness […]…
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The Madness of Photographs The British writer David Campany, curator of exhibitions and writer, editor or contributor to countless publications, can talk the talk […]…
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There is something jarring about having Martin Parr select the photographs in Tom Wood 101 Pictures. It is not so much his patronising words […]…
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The photographs in Tariq Zaidi’s Sapeurs: Ladies and Gentlemen of the Congo are not easy to forget. Their context is highly specific – Brazzaville […]…
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Mired in Memory by Sean Sheehan T.S. Eliot’s words in The Waste Land about the mixing of memory and desire could serve as an […]…
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Photographing the Neoliberal Frontier States close to the Persian Gulf are famous for stunning building projects like Burj Khalifa in Dubai, Abu Dhabi’s Louvre […]…
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