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Didier Hamonet, Dear Unknown

  • © Didier Hamonet

  • © Didier Hamonet

    © Didier Hamonet

  • © Didier Hamonet

    © Didier Hamonet

  • © Didier Hamonet

    © Didier Hamonet

  • © Didier Hamonet

    © Didier Hamonet

  • © Didier Hamonet

    © Didier Hamonet

  • © Didier Hamonet

    © Didier Hamonet

  • © Didier Hamonet

    © Didier Hamonet

  • © Didier Hamonet

    © Didier Hamonet

  • © Didier Hamonet

    © Didier Hamonet

  • © Didier Hamonet

    © Didier Hamonet

  • © Didier Hamonet

    © Didier Hamonet

"The encounter with the reproduction of a molding of the Inconnue of the Seine was decisive. From the first shots, I imagined a staging with this enigmatic beauty, as inhabited by his presence.

Staging, Sculpture, stone, death as non-living are invited to "live" through my staging reproduced with photography. I try to capture "the refusal of mourning as an inner light called to shine, still alive; Last breath before death, touching the wound of living time.

This series is divided into several space-times that are presented through different themes: sublimation, rebirth, break.

So far from her works she had seduced Giacometti to the point that he was looking for a young woman who would have liked to try again the test of this happiness of death.

Maurice Blanchot

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